Coffee in Connecticut

Here we are! It's Coffee in Connecticut, a bop that teaches you about love and longing but also the botanical nature of Connecticut. Claire Porter animated the alien in her flying saucer over real live actual footage of the aurora borealis as it passed over Montreal in May 2024 as recorded by Khoa Tran. Khoa is an amazing photographer who specializes in taking photos of planets and stars. Claire Porter wrote this song and is playing all the guitars and vocals, Brandon Goodwin is on drums, and Neil Robinson is on bass. Michelle Lacour mixed, Stephen Lilly mastered, and this single is on the album 'Time Alone' that is coming out on July 26th! If you're reading this, that means you can follow Claire Porter on your favourite streaming service.

 

Preservatives

Sultry and jazz-fueled, the track plays with the relationship between food, the varied flavours of emotions. Preservatives takes the premise that you are what you eat, and through the power of jazz, invites you to imagine what you would be if all you could eat was frozen, salted, canned and freeze dried”

Once again, the music video for this track was crafted by Claire herself, and underscores the song’s themes, featuring four preserved foods dancing in an homage to the iconic film advertisement, Let’s All Go to the Lobby. The lyrics of the song talk about frozen, salted, canned, and freeze dried food, so you see a frozen box, a bucket of salted meat, a can, and a paper bag of only the finest freeze dried food. They’re dancing in a circle that was animated by Claire herself, and their packaging proves that only the finest comes from Claire Porter and the Stouts.

 

Time Alone

The music video for this track was crafted by Claire herself, and underscores the song’s themes. It opens with Claire tucked underneath a giant table, hiding from the outside world. Claire then spliced together various vignettes of solo time, creating a feeling of stop motion.  She used her animation skills to overlay the vines, slowly creeping on the furniture, like the loneliness creeping into her life.  Her favourite blue Fender Telecaster becomes her new companion, and offers a nod to Claire’s work as lead guitarist on her upcoming album.

Like many artists, Claire’s recent work reflects her experience of isolation during the pandemic, while simultaneously coping with a deep period of self-reflection.  As she says in the song: "I used to steal my time alone, all the pleasures I have known, mornings contemplating how I’ve grown, I used to steal my time alone.”

Free-spirited, upbeat and surreal, the track’s playful melody contrasts the underlying unravelling of pre-pandemic life, and the inevitable existential questions arising from sudden social isolation. “The song moves through the spiralling feelings that I cycled through over the pandemic, in a silly, upbeat rhythm.” says Claire of the track, “I tried to make it sound as much as possible like a clock. I once heard that if you don’t like something, you can trick your brain by declaring that actually, you do love it. I have since heard that this brain hack doesn’t work at all, but this song is the result of that exercise.  I did not like having that much time alone, but I start the song by declaring “I like to spend my time alone”.

 

apartment #4

The video for Apartment # 4 was crafted by Claire herself, and underscores the song’s themes. The animated piece opens with a young girl climbing a rocky Newfoundland shore to a haunted cabin: “The child symbolises how frightening a bad home can be, and how precarious housing can trap people. The cabin keeps chasing her, representing how challenging it is to find an affordable, safe place to live. It also symbolizes how Claire will likely never be able to buy my own home. You can try to escape, but the unsafe apartment will still find you.”

Claire Porter wrote this original song and sings the lead and plays guitar. Neil Robinson plays bass and Brandon Goodwin is on drums.

 

This Weekend - found art video

This is an all original tune from Claire Porter featuring Corey Gulkin (vocals, banjo) and Leah Dolgoy (vocals, autoharp). The video is cut together from a Buster Keaton movie called One Week (1920).

Cut from the Same Cloth - found art video

This original tune by Claire Porter features Shayne Gryn on piano. The video is cut together from Buster Keaton’s 1920 classic film, One Week.